Thanks for checking the blog out... Hope it offers something a bit different every now & again. Though I come from a pseudo - Mod background (Soul & Ska in particular), I have a diverse taste in music & hope my varied posts will reflect this.
Cheers Skamanc .... I'm not after your undying gratitude, but please leave your thoughts, comments & opinions on the posts & content. I regularly up- & download material, plus buy and trade items. As such, if I have inadvertently "trodden on anyone's toes" in posting anything then please let me know & accept my apologies. Also please support the artists involved & remember that the blog is merely a pointer toward these various downloads, which are stored elsewhere. Legally, any downloads should not be retained for more than a week. So now I've told you the legal bit !
Feel free to give me a shout : firstname.lastname@example.org
Manchester M22, September 2016
For my kids, Dylan & Tommy. Bollocks to the ex Mrs!
Special thanks to Steve White (software), Gordon Waring (music), Shaun Robinson (artwork), Paul Buddery (DVD's / software) & Sonchey Barrett (essential technical advice!).
"Thank you" also to regular contributors Herr Pauli (Malente, Germany), Phil (Shetland), Deco Mc Dermott & Mark Pengelly of Dublin, Martin Smith (Barnet), Paul Baily (London) and Rodd (Australia).
Tuesday, 15 May 2012
Obituary : Donald "Duck" Dunn
Donald "Duck" Dunn, November 24th 1941 - May 13th 2012.
Born in Memphis, Tennessee in 1941, Dunn began playing bass in the late 1950s having decided that the guitar was too difficult : "I tried the guitar but it had two strings too many" he was quoted. "It was too complicated man !!"
An early player of the Fender bass range (typically a Precision though occasionally a Jazz), Dunn joined Stax records in 1964 with colleagues Booker T Jones,the late Al Jackson Jr and; Steve Cropper forming Booker T and The MG's (Memphis Group). In later years he endorsed the Lakland bass range (pic below), with his own signature model.
Here they became the world's premier backing group, recording and playing live shows with US soul legends, including Wilson Pickett, Otis Redding, Sam + Dave, Carla Thomas
and Eddie Floyd.
His deceptively simple bass lines (just you try playing them !!) underpinned hit after hit record and he became a major influence on generations of aspirant bass players, myself included.
He was later known for his appearances in the Blues Brothers bands and films, where he spoke a line that summed up his work with the MG's :
"We had a band powerful enough to turn goat piss into gasoline".